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Music reviewers: please don’t…

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Friday, June 29 brought some crap news for music journalism. Heavily respected music magazine The Word announced that it will release the last ever issue in August. Famed for it’s excellent writing (go and buy a copy and learn while you still can), the demise is another kick in the teeth for the future of good, quality journalism.

BUT music isn’t going to go away any time soon and we still need people to tell us if we should pay £1o for a CD or not. So to make sure this generation of journalists keep the quality alive and in tribute to it’s death, here are some suggestions of what NOT to do as a music reviewer (stolen from a forum post on the magazine’s website):

– DON’T end a feature like this: And with that, he adjusted his trademark spectacles, gave a conspiratorial wink and disappeared into the Soho night…unless for comedic value.

– You can do without obscure foreign quotes in italics and the name-dropping of impenetrable philosophical tomes you know no one else will have read (this applies to all journalism).

– Do not use the words “sonic cathedral” or Quintessential……unless you’re talking about a record by Quintessence: in which the record will, necessarily and inherently, be Quintessential. Unless they’re trying to sound like someone else, of course.

– Stating that an album that “Demands to be listened to” . How does that work then?

– Or describing something as “Wire jamming with Nick Drake while Skillrex mixes the cocktails and Brian Wilson dozes off in a chair”…nothing sounds like that.

Thou shalt not refer to something as being like something else on (insert drug here).

– The overuse of unnecessary semi-colons to create very long sentences just to prove you’re well educated (this also applies to all journalism).

– Mentioning your drug use, especially drug use with the band. Very hard to pull off without sounding like a weakling trying to appease the schoolbully by laughing along with his joke as he flushes your head down the toilet.

– Thou shalt review the album, or interview the artist, and not review how well-heeled or dirt poor their parents were. The tunes don’t sound any different as a result.

– Stop overusing (and misusing) “cerebral” and “existential”.

– A few others…’Has no right to be this good’, ‘What’s not to like?’, similes ie “Like The Stranglers have been in a car crash with Missy Elliot”.

– “….on acid” is not only lazy, it’s stupidly inaccurate because when somebody is actually on acid they very often just say nothing for six hours and dribble a bit.

– Avoid the word I (Yes. Please, please do).

DISCLAIMER: These rules are not verbatim. You might disagree. But I right like them all.

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About Rhian Jones

I am a freelance music business journalist based in London. My career began when I saw an apprenticeship with freelance education journalist Janet Murray advertised in the Guardian. I applied, and after a gruelling two-day Alan Sugar style assessment, got the job, quit university and relocated to London to pursue my dream of a career in the media. The apprenticeship ended on a high when I secured my first journalism job at Music Week. I spent my week days writing news stories, interviewing and learning all about the fast paced nature of putting together a weekly magazine, all while gaining invaluable insight into the inner workings of the music business. After three years and a few promotions, I left my position as news editor to go freelance in 2015. Alongside two regular gigs as London correspondent for US trade rag Hits, and contributing editor for Music Business Worldwide, I've written for publications including Company, Grazia, The Sunday Telegraph, the Guardian, The Independent, Music Ally, Billboard, The Journalist and Music Teacher.

One response »

  1. Rule three might prove problematic or extremely entertaining when reviewing an album by metal band Sonic Cathedral.

    Reply

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